Showing posts with label original drawing. Show all posts
Showing posts with label original drawing. Show all posts

Monday, November 26, 2018

Shadowy


Charcoal and white pastel on paper, 12"x9"

This drawing is a charcoal portrait study of a man in moody lighting. The deep shadows place a strong emphasis on the sculptural qualities of the face, especially the sensual mouth. I kept the drawing touch soft and suggestive even while it has very bold, dark tones. I like the dramatic and mysterious look of this one.

In between painting larger and more complex oil paintings I'm finding monochromatic drawings on paper to be a refreshing change. It's relaxing to be able to focus on value and form in a simpler way even while something of a challenge to be without the handy tools of warm/cool hues to create depth.

Copyright © Pat Kelley. All rights reserved. 

Friday, December 1, 2017

Searching - sold


Graphite on paper, 14"x11"

This is a portrait study of a beautiful young man with a distant gaze. This is a larger drawing for a more evocative character study, executed in a combination of graphite powder and pencils for a moody feeling. I used a heavyweight Bristol board that could stand up to a lot of blending.



Wednesday, November 15, 2017

Man at a Window - sold


Graphite on paper, 12"x9"

This drawing was done as a preparatory study for a painting. The model is standing next to a window with natural light defining his muscular physique. I was inspired by this model's dark good looks and haunting, intense eyes.




Saturday, August 12, 2017

Contemplation - sold


Graphite on paper, 11"x8.5"

This is a drawing of a handsome man in jeans relaxing on a sofa. It's a combination of portrait and figurative study of my favorite model. Somehow, even when I set out to do a figure study it becomes a portrait of that person. I like the open, lounging quality of his pose. It's so typical of the comfortably confident way men sit. There is an interesting combination of the classical and contemporary in this piece. While pondering his gentle, thoughtful expression I realized that this piece is about both my contemplation of him and his own inward contemplation.

I am a big fan of John Singer Sargent's superb male figure drawings and I've been inspired to explore drawing again after a long period of almost exclusively painting. It has been fun to focus on line and tone. I'm enjoying the spontaneity and expressive quality of these drawings.