This painting is a study of a sleeping man in a room with light pouring in, highlighting his back and the sheets on the bed. I wanted to present the warm colors of the body in contrast to the pale aqua tints of the surrounding room. I kept the brushwork quite loose and painterly while maintaining a high degree of realism.
Fine quality prints of this painting are now available here.
This is my version of a Pre-Raphaelite wood nymph. She's an ethereal, enchanted creature who wanders unscathed through misty woods in a diaphanous gown. Bedecked with a floral crown and violets in her flowing locks, she seems a bit wary and ready to take flight.
Inspired by the fanciful art of the Pre-Raphaelite Brotherhood, in particular the later work of John William Waterhouse, I kept this painting delicate and impressionistic. I like the effect of the silvery light and the soft brushwork which allows the figure to merge with her natural surroundings.
Fine quality prints from this painting are now available here.
In this study I wanted to work on a classic portrait while exploring cool skin tones and loose brushwork. I found some lovely violets and blues in this portrait of a beautiful dark haired girl with almost translucent skin. The result is a portrait in a contemporary realist style with a lively surface quality and casual elegance.
I was thinking of Persephone, the goddess of spring when I painted this. It seemed like spring was slow to arrive this year, perhaps I wanted to summon nicer weather. There's something both old-fashioned and modern about this portrait, hints of flower-crowned festival girls, June brides and Pre-Raphaelite beauties.