In this painting a handsome dark haired man is viewed at a window, partially obscured by a sheer curtain. He is bathed in natural light, standing out from the shadowy interior. I love evoking a person in deep in thought, perhaps contemplating his life. There is a moody, subdued tone to this painting. The brushstrokes are liquid, distinct and loose.
This painting is a classic male nude of a sleeping figure in an antique bed. The model is angled across the bed with the white sheets framed by the dark tones of the wooden bed and room interior. There is a vigorous, painterly quality to the brushwork while maintaining a high degree of realism. It's a contemporary work but the interior details and classical technique rich with impasto imbues it with a vintage feel. This is a sleeping figure but something about this figure, perhaps the bold foreshortening and the strong diagonal of the figure conveys a restless energy.
This painting is a study of a sleeping man with light pouring across his back and the bed. I wanted to present the warm colors of the body in contrast to the cool tones of his surroundings. I kept the brushwork quite loose and painterly while maintaining a high degree of realism. I love painting sleep, trying to capture the essence of that peace and comfort.
This is a painting of a handsome, muscular man emerging from the ocean. He's dripping wet and glistening, the warm golden tones of his body contrasting with the blues and greens of the sea. I enjoyed painting the highlights on his shining skin, the transparent green wave lapping against him and the droplets falling off his arm. This is a very happy, sensual painting that evokes a perfect day at the beach with a beautiful man, bright sun and warm water.
This painting is a study of a sleeping man in a room with light pouring in, highlighting his back and the sheets on the bed. I wanted to present the warm colors of the body in contrast to the pale aqua tints of the surrounding room. I kept the brushwork quite loose and painterly while maintaining a high degree of realism.
Fine quality prints of this painting are now available here.
This is a portrait study of a dark haired man with dramatic features and an intense expression. I focused on loose brushwork and keeping the edges soft. While I often do paintings of my friends, this guy is based on various sources that I mashed up with my imagination. So he's entirely my creation, and just as with the women I paint, I enjoy a vintage look in men. Therefore, I wanted to concoct a man who looked like he could have posed for a painter a hundred years ago. I like inventing people and I think I got him pretty lifelike.
As I have mentioned before a few times, I love painting faces. Actually, I love painting the entire figure but a whole figure can become a big project for me so I often to stick to faces as that seems to be where I focus even when painting a figure. I'm not sure what it is about the face that gets me so involved. I guess because it's amazingly intricate. The eyes alone have such a delicate architecture. While it can be aggravating, I enjoy painting flesh so a shirtless man is a good compromise between painting a face and a whole figure. Getting the skin tones believable is difficult, it's so easy to veer off into a chalky mess if you add white too heavily. Even a very pale person has far less white in their skin tone than you'd think. Women's faces are easier for me to paint than men because the look of makeup can go a long way to highlight features and inject color and visual interest that would look odd on the average man. All this effort is required simply to produce a passable looking human being, to convey something of the human spirit and emotion is an even higher mountain to scale but one I never tire of tackling.
