This is a portrait of a beautiful young woman with short hair swept back wearing an Art Deco emerald and diamond earring. In this painting I wanted to evoke the mood and style of the decadent, glamorous era between the two World Wars.
This is a portrait of Mary Nolan, a stage and film actress, singer and dancer who began her career as a popular Ziegfeld Girl in the 1920's. A luminous beauty who had a tumultuous life, I was inspired by her expressive face to create this painting in my version of the dramatic Hollywood illustrations and portrait style of the era. Based loosely on a black and white photo, I created a painterly background of deep peacock blue to offset her golden tones. She is soft and delicate but I am also pleased to have kept the brushwork loose and spontaneous throughout this painting. There is a haunting, soulful quality to this lovely lady that transcends time.
This portrait of a handsome man conveys what fascinates me...the physical sense of a person and also the expression of an inner life. There's a feeling of energy in the contours of his muscular upper body and a palpable warmth in the glow of his skin. I like the turn of his head in opposition to his body as he stands in a honey colored light casting a cool blue shadow on the wall behind him.
I focused on loose brushwork, keeping the edges soft and I used impasto in the highlights. I'm happy that my strokes here convey the energy of painting.
In this painting a beautiful woman sits in a rocky cove in a white dress, her hair and dress whipping in the wind, the sea sparkling behind her. I wanted to capture the feeling of a windy day at the seashore and the brilliant sun glinting off the water. I have always been inspired by the seaside imagery of Joaquin Sorolla and Frank Benson. Both frequently featured women in white dresses in bright coastal light. I love the many subtle shades of blues, pinks and yellows that can be found in the shadows and reflected light upon white.
Lately I've been interested in the integration of the figure with an outside environment. I had fun using vigorous impasto strokes to convey the dazzling play of light and the movement of wind in fabric and hair. This made for a richly textured and lively painting combining a beautiful figure with an atmospheric landscape. I especially enjoyed evoking the feeling of warm salt-infused breezes and the joy of summer while painting in the cold, dark days of winter.
This painting is a study of a handsome man enjoying a nap. I kept the brushwork loose and lively to play up the casualness of the figure. I like the way he has collapsed on the couch after getting partially undressed and is simply relaxing. I'm pleased with how the liquid flow of paint and the sharp highlights vividly portray the skin. Just as the Impressionists did, I enjoy capturing the natural and happy moments of real life.
This is a unique contemporary portrait of a handsome young man napping on a couch in afternoon light. I was taken by the intense reflected light and exuberant colors in this view of my favorite model. The planes and angles of his face were sharply defined by the unusually luminous conditions. A variety of vivid flesh tones occur within the bright shadow areas and vigorous brushwork captures rich textures and details. I love the relaxed feeling of this scene and there's a fascinating contrast between the peaceful languor of the model and the energy created by the angles of the composition.
This is a classical study of a red haired seated nude holding calla lilies. The figure is viewed from behind with a side profile. There is a lovely twist to the figure, and the soft light catches her face and flowers, dropping down her body to a classical sculpture next to her.
Painted alla prima on a colored ground, there is a golden glow beneath the cool blues of the background. This painting is serenely elegant, unusually expressive and detailed for a small figure.
This painting is a study of a sleeping man with light pouring across his back and the bed. I wanted to present the warm colors of the body in contrast to the cool tones of his surroundings. I kept the brushwork quite loose and painterly while maintaining a high degree of realism. I love painting sleep, trying to capture the essence of that peace and comfort.
This is a larger painting than I have offered before, painted over several months in many layers of glaze and impasto. The background of intense blue complements and subtly vibrates against and within the warm flesh tones. I kept the brushwork loose and free. I wanted to do a deeper exploration of character in this portrait/figurative painting of a beautiful dark haired young man. His eyes are riveting, that deep, liquid shade of brown that reflects light sharply. I like the self-protective gesture of his arm across his chest. He gazes at the viewer directly but remains just out of reach, a mystery.
This painting is a figure study and portrait of a handsome man. I wanted to do a study of this gorgeous man and his athletic musculature while keeping a focus on painterly brushwork, texture and light. I'm happy that I also captured a sweet expressiveness in his face. The golden tones of his body are complemented by the warm blue-grey of the background. There's a casual feel combined with moodiness that makes this painting both contemporary and timeless.
This a portrait of a young woman sporting a version of the Eton Crop, an androgynous hairstyle that gained popularity in the 1920s. Cropped or bobbed hair was a startling departure from the uniformly long hair and elaborate hairdos that women had worn throughout history and a major statement for a rebellious generation. While no doubt many of these women were just following a trend, I like to think of those who were genuinely hoping to break free of gender restrictions and have the same opportunities for self determination and expression as men. I painted this girl in vivid colors to match her bold dreams.
This is a portrait study of a beautiful dark haired young man with dramatic features and an intense expression. I focused on loose brushwork, keeping the edges soft and I used impasto in the highlights. His eyes are a riveting deep blue and I'm pleased that his mouth looks especially tactile while being quite painterly.
This is a portrait of a lovely redhead flapper girl. She manages the rare feat of being sweet and sultry at the same time. From her finger waved hair and Cupid's Bow lips to her pretty ruffled blouse, she looks elegantly vintage and ready for high tea. As I painted her she seemed so charming and fresh that I used a spring green background to complement her peachy tones.
This is a portrait study of a beautiful dark haired man with pale skin and vivid blue eyes. He's got a timeless, arresting look about him. I played up the high contrast in his coloring and captured the shimmering quality of the skin highlights. I kept the edges sharp and surrounded him with the color of cool air, the palest yellow-tinged turquoise. The effect is intensely lifelike and rather mesmerizing.
As one viewer said, "I know he's never gonna talk but I'm still listening...he's got my attention".
This painting is a study of a sleeping man in a room with light pouring in, highlighting his back and the sheets on the bed. I wanted to present the warm colors of the body in contrast to the pale aqua tints of the surrounding room. I kept the brushwork quite loose and painterly while maintaining a high degree of realism.
Fine quality prints of this painting are now available here.
In this study I wanted to work on a classic portrait while exploring cool skin tones and loose brushwork. I found some lovely violets and blues in this portrait of a beautiful dark haired girl with almost translucent skin. The result is a portrait in a contemporary realist style with a lively surface quality and casual elegance.
I was thinking of Persephone, the goddess of spring when I painted this. It seemed like spring was slow to arrive this year, perhaps I wanted to summon nicer weather. There's something both old-fashioned and modern about this portrait, hints of flower-crowned festival girls, June brides and Pre-Raphaelite beauties.
This painting is a study in serenity and light movement. I wanted to explore cool flesh tones with soft light and edges. There's something very calming about a sleeping figure and this is highlighted by the quiet shades of blue throughout. I've seen many paintings with sleeping female nudes but I wanted to feature a man instead. It's an unusual context that gives a vulnerable and tender aspect to the masculine form.
Upon reflection I think that's what I wanted to capture. That moment of peace. There is no guile or malice in a man asleep. He is free of his conscious torments, childlike and pure. Sleep is a wonderful thing that I rarely get enough of and I like to celebrate these simple, precious things in life.
Fine quality prints from this painting are now available here.
Portrait of a moody flapper in a cafe. I experimented with using cooler, bluer colors than usual for the flesh tones in this painting. I wanted to imply her ghostly pallor and the smoky haze of a bar back in the day.
Perhaps she's waiting for a date who's late or thinking about the boy who never came back from the war. Or maybe she's just wondering what she lost in herself and how she ended up here. I've always been fascinated by the Lost Generation, the seemingly dissolute and world-weary survivors of the Great War who partied their way through Europe in the 1920s. This girl could be Lady Brett Ashley or Nicole Diver, those enigmatic and compelling characters created by Hemingway and Fitzgerald, the feminine personifications of that confused, hedonistic era. These memorable women weren't the most admirable in literature but the flawless seldom haunt.
This figure study captures the direction and movement of morning light on a reclining nude. I don't normally crop figures this way but I like how it emphasizes the angles and shapes. I also enjoyed observing the light and shadows both on the figure and in the light and dark areas of the bed and background. I like how it turned out. I think the closer focus on the figure allows for more detail at the same time it creates bolder shapes which gives this small painting great presence.
